Umělec 4/2007 | List of all editions. | ||||
The European Union was not created out of regional cultural interest but rather to support free, cross-border investment. If you have a full wallet or a credit card, then you are an investment. This is a given concerning EU residents, and therefore they can travel where they want. We don’t want poor people, and thus there’s an iron curtain at the eastern border of the Union. It’s just they…
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Language, conditions for communication, and even the inexplicability of supra-individual phenomena at the personal level are topics that Pavel Sterec addresses in his work. A student of the Prague School of Arts (AVU), working in Miloš Sejn’s studio for conceptual design, his works define motivation and position as well as the general conditions for artistic production and…
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In the last years, Israel Mora’s artistic endeavors— mostly events and performances—have straddled the line between reality and simulacrum, both in form and content. Notably influenced by Mexico City (where he lives), Israel’s work functions like a representation of an underground society or counter-culture. Using his body as a site from which to work, Israel’s staged situations take on…
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RESONANCES FROM 49: ALTERED METABOLISM
People where / I come from / they survive without feelings or blood / I never could / was stoned to death / but I'm still living
Morrissey, He cried
In a previous article (Dominguez: 2005) I analyzed the photographic documentation of the performance 49: Altered Metabolism by Hector Falcon 1. The project, whose components dealt with various aspects of the…
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I hated the oppressive obedience of my school days. As a reaction to it the kids I befriended were far more inclined to cause chaos than to learn. Pubic hair in sandwiches, mud in hair, a healthy disdain for the National curriculum; every school had kids like these. I was surprised when I moved into the professional world that this oppression was even more systematically ingrained. So I…
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