DIVUS PRAHA: LOVING THE ANTICHRIST / THE LOVING ANTI-CHRISTINE | exhibition
[b]LOVING THE ANTICHRIST / THE LOVING ANTI-CHRISTINE |[/b] exhibition

LOVING THE ANTICHRIST / THE LOVING ANTI-CHRISTINE | exhibition

22.03.2012 19:00 - 19.05.2012

Divus | en cs

“…This dilemma, the contradiction between being attracted to the woman you love and at the same time being afraid of losing yourself in her, the fear of being nothing, of not realizing yourself – probably every man deals with this fear. He sees it as mutually exclusive, not complementary. Meanwhile, male emotions – which men have inherited from the ur-lover – deal with the contradiction between the seemingly violent potential of the sex act and the love for his beloved, whom he does not wish to hurt or profane. It seems to me that all too often men overcome this problem by realizing their sexuality with a less intensely loved woman, whom they chose to marry instead of “the one.” The male principle is disunited from the beginning, and loves in constant contradiction to reason and emotion.
…
(Lucie Ferliková)

We all three are dealing with division, loss, pain...”

(Lukáš Malina)



Lucie Ferlíková, Eve- Venus- Chinnamasta ( resurrection), acryl on canvas, 190×200 cm, 2009-12 Lucie Ferlíková, PF 2009(vision of year 2012), photoshop montage, 2008 Lucie Ferlíková, Under the influence of black Lucie Ferlíková, Heart My Fox and Wolf, ink, ruddle, charcoal and acryl on paper, 167x65cm, 2010 Lucie Ferlíková, With Skeleton, ink, pencil and acryl on paper, 167x65cm, 2010 Lukáš Malina, Seven stages of sadness, acryl on canvas, 190×140 cm, 2011 Lukáš Malina Simona Blahutová Simona Blahutová Simona Blahutová LOVING THE ANTICHRIST / THE LOVING ANTI-CHRISTINE, exhibition in Divus Pragerkabarett LOVING THE ANTICHRIST / THE LOVING ANTI-CHRISTINE, exhibition in Divus Pragerkabarett LOVING THE ANTICHRIST / THE LOVING ANTI-CHRISTINE, exhibition in Divus Pragerkabarett LOVING THE ANTICHRIST / THE LOVING ANTI-CHRISTINE, exhibition in Divus Pragerkabarett LOVING THE ANTICHRIST / THE LOVING ANTI-CHRISTINE, exhibition in Divus Pragerkabarett LOVING THE ANTICHRIST / THE LOVING ANTI-CHRISTINE, exhibition in Divus Pragerkabarett LOVING THE ANTICHRIST / THE LOVING ANTI-CHRISTINE, exhibition in Divus Pragerkabarett LOVING THE ANTICHRIST / THE LOVING ANTI-CHRISTINE, exhibition in Divus Pragerkabarett LOVING THE ANTICHRIST / THE LOVING ANTI-CHRISTINE, exhibition in Divus Pragerkabarett


22.03.2012 19:00 - 19.05.2012
Enviar a un email

Comentarios

Actualmente no hay comentarios

Agregar nuevo comentario

Artículos recomendados

No Future For Censorship No Future For Censorship
Author dreaming of a future without censorship we have never got rid of. It seems, that people don‘t care while it grows stronger again.
Acts, Misdemeanors and the Thoughts of the Persian King Medimon Acts, Misdemeanors and the Thoughts of the Persian King Medimon
There is nothing that has not already been done in culture, squeezed or pulled inside out, blown to dust. Classical culture today is made by scum. Those working in the fine arts who make paintings are called artists. Otherwise in the backwaters and marshlands the rest of the artists are lost in search of new and ever surprising methods. They must be earthbound, casual, political, managerial,…
Terminator vs. Avatar: Notes on Accelerationism Terminator vs. Avatar: Notes on Accelerationism
Why political intellectuals, do you incline towards the proletariat? In commiseration for what? I realize that a proletarian would hate you, you have no hatred because you are bourgeois, privileged, smooth-skinned types, but also because you dare not say that the only important thing there is to say, that one can enjoy swallowing the shit of capital, its materials, its metal bars, its polystyrene…
The Top 10 Czech Artists from the 1990s The Top 10 Czech Artists from the 1990s
The editors of Umělec have decided to come up with a list of ten artists who, in our opinion, were of crucial importance for the Czech art scene in the 1990s. After long debate and the setting of criteria, we arrived at a list of names we consider significant for the local context, for the presentation of Czech art outside the country and especially for the future of art. Our criteria did not…