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	Mihnea Mircan \| Entrevista \| 01.02.2006
	RULES OF ENGAGEMENT
	This is an exercise in adjustment, an attempt to make mental room for the legions of ideas and regiments of ghosts that lurk and maneuver inside and outside Philippe Meste’s ‘Spermcube’, to speak of the monster, therefore to propose a representation that anticipates but eludes the ferocious vastness of the cube. A ton of sperm, that will be displayed like a frozen Minimalist cube, and the…

	Lenka Vítková \| Entrevista \| 01.02.2006
	DOWN WITH CREATIVITY. LET’S SERVE BEAUTY

	Spunk Seipel \| Entrevista \| 01.01.2006
	FRANZ HÖFNER AND HARRY SACHS: AN ART DUO FROM BERLIN
	A visitor to Metz’s faux-movement gallery last September and October must have been a bit surprised. The two German artists Franz Höfner and Harry Sachs constructed a new exhibition architecture in the gallery. You could walk through empty rooms, see wonderful, white, but bare walls. The classical exhibition pieces, pictures or sculptures were nowhere to be seen. OK, we are so used to many…

	Zuzana Štefková \| Entrevista \| 01.01.2006
	FRANCIS ALŸS: POLITICS OF A PROCESS
	“Boredom, curiosity and vanity.” These are the three things that brought Belgian artist Francis Al˙s (born 1959) to art. It was a coincidence that took him away from his previous profession as an architect. He says his work, which crosses the borders of single art fields, styles and techniques, stems from his own ignorance. Since Al˙s was never educated in any particular artistic field, he…

	Arlene Tucker \| Entrevista \| 01.01.2006
	SAUCY SOUNDS
	Reasons for adapting one’s accent vary, but what it comes down to is how one chooses to assimilate to a specific surrounding. Do they want to emphasize differences or emphasize similarities? All the facets of self-identity and assimilation are brought out through how one inherently accents his/her thought. Through the spitting mess of consonants and vowels, the sound pattern of Standard American…

	Maja a Reuben Fowkes \| Entrevista \| 01.03.2005
	MONUMENTOS TRASLADADOS Y ESTRATEGIA DE DECOSNTRUCCIÓN
	Con ocasión de la presentación en la galería Balen en Slawonski Brod en enero del 2005 el grupo Little Warshaw (Pequeña Varsovia) ofreció un resumen de los proyectos realizados en los últimos dos años. El discurso empleado descubrió temas y estrategias habituales en su quehacer. Las referencias abarcaban elementos característicos del espacio público, la tensión entre monumentos e identidades y la…

	Vlado Beskyd \| Entrevista \| 01.03.2005
	CYRIL BLAŽO – EXPOSICIÓN DOBLE DE
	La personalidad de Cyril Blažo (nacido en 1970 en Bratislava) es una peculiar linea de trabajo visual de la joven orientación post conceptual que apareció en los escenarios de Eslovaquia durante la década pasada. Ya durante sus estudios en la Escuela Superior de Artes Plásticas en Bratislava (1988–94) en cooperación con Boris Ondreièek y Stano Danèiak hijo, formaron una agrupación libre BLONDIAK,…

	Martin Vančát \| Entrevista \| 01.02.2005
	MAIX MAYER
	We paused on our night stroll through the city to gaze at a model of an airplane in an illuminated window of an airline office. It was propped inconspicuously on a thin metal rod among advertisements and flowerpots, in an arrangement that hadn’t been altered much since the 1970s. Airline companies have borrowed these elements from each other to demonstrate that their machines really do fly…

	Travis Jeppesen \| Entrevista \| 01.02.2005
	BLALLA’S BLASPHEMY: REDISCOVERING
	Earth is a sickening foam mattress………climb into my dreamboat of love, of madonna’s shit……….I can give water to everyone………congrats from us over here to you over there…….images on the borders of pain. Blalla W. Hallman, Blalla’s Cosmic Inspirations Were it not for the inherent injustice of the world, the very injustice that Blalla W. Hallman railed against in his vitriolic paintings, Hallman…

	Radek Wohlmuth \| Entrevista \| 01.01.2005
	FAMILY BONDS MOTHERS AND FATHERS, LTD.
	Hey Dad, I’m warning you. You write something about me in an article once more, and that’s it. Joseph Heller: Good as Gold We know each other so little and we have so many things to forgive. Erich Maria Remarque: Shadows in Paradise Lucie Krejčová, Lenka Klodová, Marek Rejent and Martin Péč. Four people, four artists, one group: Matky a Otcové (Mothers and Fathers). They might have combined…

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DIVUS PERLA: Lucia Dovičáková: What Else Do You Need To Destroy?

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DIVUS PERLA: MDNN - The International Unrealized Ideas' Day

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Cita del día El editor no se responsabiliza por los estados físicos o mentales que puedan generarse después de leer la cita
“	Enlightenment is always late.