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The Crisis of the Discrete Tendency Václav Magid | studie | 01.03.2006
THE CRISIS OF THE DISCRETE TENDENCY
Indication of a Problem A majority of the works at the recent exhibition Indikace (Indication) operated as discrete modifications of designated environments. This exhibition, which was prepared by the curator Mariana Serranová and held in a run-down former dentist’s office, featured one of the undamaged walls laboriously painted by Zbyněk Baladrán to look like a dilapidated wall. In the next…
Birth of an Artist Jan Suk | studie | 01.01.2006
BIRTH OF AN ARTIST
Jazz de la Ciudad del Sol Tomáš Pospiszyl | studie | 01.03.2005
JAZZ DE LA CIUDAD DEL SOL
Artistas en la frontera entre los años 50 y la actualidad entre el arte alto y el diseño entre la técnica tradicional y el ordenador entre la imagen y el relato Mucho se ha escrito en los últimos años sobre el destino de la pintura. Casi cada día se proclaman ”nuevas olas”, siempre en función de las necesidades de marketing de los galeristas y curadores; y la retórica nunca refleja una crisis…
Southern Germany: Upon Satisfying the Skepticism Anke Humpeneder-Graf | studie | 01.02.2005
SOUTHERN GERMANY: UPON SATISFYING THE SKEPTICISM
A bad economy is good for the art scene. Ever since the recession arrived in Munich, young artists have no longer felt the need to go to Berlin in order to find affordable working conditions. Spaces now stand vacant in southern Germany, too, studios are getting cheaper and the conditions required for an art scene beyond the institutionalized versions have improved. Aside from the big museum…
Artists Strike Back – Responses to Symptoms of Economic Misery Societies between capitalism and the past 1 Susanne Altmann | studie | 01.03.2004
ARTISTS STRIKE BACK – RESPONSES TO SYMPTOMS OF ECONOMIC MISERY SOCIETIES BETWEEN CAPITALISM AND THE PAST 1
The author is an art historian, writer & independent curator,based in Dresden/Germany. This article is the result of a research fellowship at the University of Oxford/Green College (funded by Reuters) in 2004. An extended German version of the text will be printed in the book "Cultural Territories," published by Galerie für Zeitgenössische Kunst Leipzig & Bundeskulturstiftung in 2004 A different…

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04.02.2020 10:17
Slavka Kneppo:
Pověsti o těžkých časech na trhu s uměním jsou opět velmi přehnané...
Letošní 50. ročník Art Basel přilákal celkem 93 000 návštěvníků a sběratelů z 80 zemí světa. 290 prémiových galerií představilo umělecká díla od počátku 20. století až po současnost. Hlavní sektor přehlídky, tradičně v prvním patře výstavního prostoru, představil 232 předních galerií z celého světa nabízející umění nejvyšší kvality. Veletrh ukázal vzestupný trend prodeje prostřednictvím galerií jak soukromým sbírkám, tak i institucím. Kromě hlavního veletrhu stály za návštěvu i ty přidružené: Volta, Liste a Photo Basel, k tomu doprovodné programy a výstavy v místních institucích, které kvalitou daleko přesahují hranice města tj. Kunsthalle Basel, Kunstmuseum, Tinguely muzeum nebo Fondation Beyeler.
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Mike Diana: Go to hell (le dernier cri)
Mike Diana: Go to hell (le dernier cri)
offset print / 15 x 22 x 0,5 cm / 32 pages
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8 EUR
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John Broadley: All night fear of the future (le dernier cri)
John Broadley: All night fear of the future (le dernier cri)
15 x 21 x 3 cm / 160 pages / sérigraphie 14 pass.couleur / 200 ex
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Josef Bolf: I Would Like to Collect Pieces of Your Heart When Someday it Bursts for Someone
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Yann Taillefer: ITO (le dernier cri)
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