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	Václav Magid \| studie \| 01.03.2006
	THE CRISIS OF THE DISCRETE TENDENCY
	Indication of a Problem A majority of the works at the recent exhibition Indikace (Indication) operated as discrete modifications of designated environments. This exhibition, which was prepared by the curator Mariana Serranová and held in a run-down former dentist’s office, featured one of the undamaged walls laboriously painted by Zbyněk Baladrán to look like a dilapidated wall. In the next…

	Jan Suk \| studie \| 01.01.2006
	BIRTH OF AN ARTIST

	Tomáš Pospiszyl \| studie \| 01.03.2005
	JAZZ FROM SUN TLEN
	Artists on the boundary between the fifties and the present day between high art and design between traditional technique and computer technology between painting and story A lot of ink has been spilled over the fate of painting lately. Its “new waves” are declared nearly every day according to marketing needs of gallery owners and curators whose rhetoric reflects little of any real crisis or…

	Anke Humpeneder-Graf \| studie \| 01.02.2005
	SOUTHERN GERMANY: UPON SATISFYING THE SKEPTICISM
	A bad economy is good for the art scene. Ever since the recession arrived in Munich, young artists have no longer felt the need to go to Berlin in order to find affordable working conditions. Spaces now stand vacant in southern Germany, too, studios are getting cheaper and the conditions required for an art scene beyond the institutionalized versions have improved. Aside from the big museum…

	Susanne Altmann \| studie \| 01.03.2004
	ARTISTS STRIKE BACK – RESPONSES TO SYMPTOMS OF ECONOMIC MISERY SOCIETIES BETWEEN CAPITALISM AND THE PAST 1
	The author is an art historian, writer & independent curator,based in Dresden/Germany. This article is the result of a research fellowship at the University of Oxford/Green College (funded by Reuters) in 2004. An extended German version of the text will be printed in the book "Cultural Territories," published by Galerie für Zeitgenössische Kunst Leipzig & Bundeskulturstiftung in 2004 A different…

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CRIME (BAD AUTHORS EDITION)

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04.02.2020 10:17

Slavka Kneppo:

Pověsti o těžkých časech na trhu s uměním jsou opět velmi přehnané...

Letošní 50. ročník Art Basel přilákal celkem 93 000 návštěvníků a sběratelů z 80 zemí světa. 290 prémiových galerií představilo umělecká díla od počátku 20. století až po současnost. Hlavní sektor přehlídky, tradičně v prvním patře výstavního prostoru, představil 232 předních galerií z celého světa nabízející umění nejvyšší kvality. Veletrh ukázal vzestupný trend prodeje prostřednictvím galerií jak soukromým sbírkám, tak i institucím. Kromě hlavního veletrhu stály za návštěvu i ty přidružené: Volta, Liste a Photo Basel, k tomu doprovodné programy a výstavy v místních institucích, které kvalitou daleko přesahují hranice města tj. Kunsthalle Basel, Kunstmuseum, Tinguely muzeum nebo Fondation Beyeler.

Star Wars, I.

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Mike Diana - Iron Monkey

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DIVUS PERLA: Lucia Dovičáková: What Else Do You Need To Destroy?

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Art & Editions / Art & Editions

Stu Mead: Devil From The Front

Stu Mead: Devil From The Front

Devil From The Front, sketch - inkwash, 2011, 33 x 25 cm

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Autopsia: Long Shirt - Resurrection Apparel

Autopsia: Long Shirt - Resurrection Apparel

"Thanatopolis" limited Collection for London Show.

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Autopsia poster from Weltuntergang Show: Lebensgefahr!

Autopsia poster from Weltuntergang Show: Lebensgefahr!

Limited edition of 10. Size 100 x 70 cm. Black print on durable white foil.

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Art & Editions / Autopsia

Autopsia poster from Weltuntergang Show: 20th century is dead (2)

Autopsia poster from Weltuntergang Show: 20th century is dead (2)

Limited edition of 10. Size 100 x 70 cm. Black print on durable white foil.

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Studio

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