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В Китае с Жеромом Сансом Palo Fabuš, Ivan Mečl | china | 01.02.2010
В КИТАЕ С ЖЕРОМОМ САНСОМ
Китайское искусство начало проникать в западные галереи с 1990 года, но в основном с помощью институциональных путей или частных многонациональных галерей-корпораций. Следовательно, выбор в большинстве случаев оказался ограниченным и несвободным, с вечно повторяющимися именами, а также представленным через призму западных кураторов, которая лишена спонтанности и непосредственности. Вполне…
Germany in Contemporary Chinese Art Leng Lin | china | 01.03.2005
GERMANY IN CONTEMPORARY CHINESE ART
The Reunification of Germany eliminated the most significant ideological antagonism from contemporary history. Socialism and capitalism no longer stand pitted against each other; in the new reality the former Eastern bloc countries are in fact interconnected with the West. Retrospectively, socialism became an abstract ideal, and at the same time capitalism is taking its toll. The historical…
Chinese Art: Persistence of Globalism Leng Lin | china | 01.04.2004
CHINESE ART: PERSISTENCE OF GLOBALISM
A new dynamic in contemporary art over the past decade has emerged with a pivotal role played by biennales and triennales. Artists of diverse cultural origins are seen trying various experiments and expressions that reflect their own individual vision of the future. In such an environment, where everyone is trying to enter the international art arena, never before have so many local artists had…
Loops of Cycles (Chen Zhen) Nataša Petrešin | china | 01.04.2000
LOOPS OF CYCLES (CHEN ZHEN)
Contemporary art has long been consciously oriented towards art produced in Europe and the USA. On the other hand, recent events in other cultures slipping through the membrane of the contemporary art scene are certainly signs of general globalization and the logical progress of expanding borders. The curator Hans-Ulrich Obrist, for example, has already revealed the frequent presence of Asian…
An Interview with Chen Zhen By Hans Ulrich Obrist china | 01.04.2000
AN INTERVIEW WITH CHEN ZHEN BY HANS ULRICH OBRIST
Hans Ulrich Obrist: Could you say something about your big project of becoming a doctor? As you said, it is a journey you cannot stop after doing one exhibition or a few exhibitions… Chen Zhen: I’ve considered myself a patient for the past twenty years. In China we say that an old patient can become a good doctor without having to study medicine. In relation to my own disease I think I’m good…
Tomáš Pospiszyl | china | 01.01.1999
LONGING TO BECOME AMERICANS
In mid-August 1998, a gallerist and curator from New York paid me a visit at the National Gallery in Prague. It was his first time in town and first time in Central and Eastern Europe. His gallery is exclusively focusing on Asian art and he himself is Chinese by origin, born and educated in the United States. I showed him our collection of Czech art (he was not in the least interested in early…

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04.02.2020 10:17
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Dr. Long, 2001, acrylic painting on canvas, 30 x 24 cm, on frame
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1 050 EUR
1 172 USD
1992, 35.5 x 43 cm (6 Pages), Pen & Ink Comic
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1 788 EUR
1 996 USD
Text: Jan Čep| Design: Lenka Jasanská| Size: 26 x 30 x 1 cm| 80 pages of special print on coated paper with photographs in sewn...
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26 EUR
29 USD
1997, 24.5 x 35.5 cm, Pen & Ink Drawing
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558 EUR
623 USD

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