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	Spunk Seipel \| Teoría \| 01.01.2007
	OF MEESE AND THE GERMANS
	Jonathan Meese is currently Germany’s most controversial artist. His exhibition Mama Johnny, held in the Deichtorhallen gallery in Hamburg, was the exhibition event of the year. An artist of just 36 years of age, he was given the chance to fill more than a hundred square meters of space. He sold piles of junk to the interested public, labelling them as part of a new, intellectual world system:…

	Pavel Vančát \| Teoría \| 01.01.2007
	A SOMNAMBULIST PAPARAZZO
	A poem with this ending was once published by Markéta Othová in the forerunner to Umělec, a more warped and chaotic publication that she had helped to found and create. From this point of view, Markéta Othová is, in her mid- to -late thirties, a matador. At the same time, we can find an indication of how the graceful elegance of her photos is grounded in cunningly naive roots, how it is necessary…

	William Hollister \| Teoría \| 01.03.2006
	BEAUTY ON THE BOTTOM, IN BYTOM. EXGIRLS’ BAD NEWS
	Curators Magdalena Ujma and Joanna Zielińska have picked up Helen of Troy’s tale where she left it. Carefully crafted for Bytom – an industrial town in Polish Silesia surrounded by the steep slag-hills of discontinued coal-mines – this exhibition seeks to reveal a sublime nuance that lurks within contemporary ideas of beauty, and is visible in news-media imagery. Last year, the two curators – who…

	Vít Šisler \| Teoría \| 01.02.2006
	THE AESTHETIZATION OF SUFFERING: PORTRAITS OF ASHOURA

	Štěpánka Bieleszová \| Teoría \| 01.02.2006
	NORMAL USE OF SUBVERSIVE IRONY

	Petr Kožíšek \| Teoría \| 01.02.2006
	COUPLES
	Ateliér Josefa Sudka / Josef Sudek Studio, January 6 – February 5, 2006 The corner of the mouth is slightly higher; next time, a bit lower. Lips are tight; next time, loose. Eyebrows are frowning; sometimes they’re not. Occasionally they’re colored and shaven. These are some of the minimalist elements in the photographic self-portraits of Václav Stratil. But before we are drawn to these…

	Denisa Kera \| Teoría \| 01.02.2006
	CONTACTS OF THE THIRD KIND
	Kontakt, Mumok, Vienna, March 17 – May 21, 2006 The Kontakt exhibition in Vienna shows a cross-section of middle-European art from the 1960s to the 1990s from the collection of the Erste Bank Group, which was founded within their Tranzit project. It shows works that were unable encounter each other because of the communist regimes, but yes still somehow “communicate” and follow common…

	Howard Lotker \| Teoría \| 01.01.2006
	THE SEPTIC SYSTEM OWNER’S MANUAL – SUBTERRANEAN MYSTERIES REVEALED
	By Lloyd Kahn, Blair Allen & Julie Jones If you have a septic system, you should take a look at this engagingly illustrated manual, which is a complete reference guide and user’s manual for people who own or rent a residence with a working or failing septic system. What is a septic system? It is a way of dealing with all of the wastewater created by a house. There is a septic-tank which…

	Radek Wohlmuth \| Teoría \| 01.01.2006
	COMMEMORATION OF MID-LIFE
	Veronika Holcová – Territory, Eugenio Percossi as a guest – B/W October 19 – December 3, 2005, Jiří Švestka Gallery, Prague It is clear right away from exhibition of Veronika Holcová (1973), Territory, the artist has evolved significantly from her previous solo exhibition, four years ago. Dominated by the depiction of a figure in space, these new canvases have penetrated into a particular visual…

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DIVUS PERLA: Lucia Dovičáková: What Else Do You Need To Destroy?

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DIVUS PERLA: MDNN - The International Unrealized Ideas' Day

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Cita del día El editor no se responsabiliza por los estados físicos o mentales que puedan generarse después de leer la cita
“	Enlightenment is always late.