|
Zeitschrift Umělec
Ročník 2004, 2
6,50 EUR
7 USD
|
Zaslat tištěné číslo:
|
|
Abo bestellen
|
Artikel
|
Redas Diržys
|
01.02.2004
|
|
LET’S BE PART OF THE SYSTEM!
|
| Manifesto #3Politics1. Society is hierarchical. 2. Society is made of groups of people that have different rights and different social opportunities, even if theoretically they should be equal. 3. The elite of society has the majority of rights and regulates the common affairs of society.4. The elite consists of several groups: elected representatives, the economic and the criminal elite. 5.… |
|
Ivana Moncoľová
|
01.02.2004
|
|
MICHAL MORAVČÍK WHICH NATIONALISM IS BETTER?
|
| We spoke with Michal Moravčík about the series of exhibitions, entitled Internal Affairs (Vnútorné záležitosti), that he prepared in cooperation with Martin Piaček with curatorial work provided by Michaela Sečanská. It was opened in 2003 at the Buryzone gallery with SOHO project, in Ottakring, Vienna. The last Internal Affairs, exhibition, 3/Closed Society was realized by Michal Moravčík himself.… |
|
Ivan Mečl
|
01.02.2004
|
|
TRUTHS THAT DON’T HOLD: A BITTER END FOR IDEALISTS UNDER HIGH IMPERIALISM
|
| On June 21, 2004, 24 hours after the opening of the Eastern Alliance exhibition in Berlin, a work by Ivan Vosecký was removed on the request of a transnational corporation. The lettering, “Kill Them All,” put on the top of the Lichtturm in Oberbaum City, Berlin, was not directed against any group of citizens or other subject. The text-installation was a sequel of a critical social series that the… |
|
Tony Ozuna
|
01.02.2004
|
|
ALL TOMORROW’S ART—A PARTY
|
| All Tomorrow’s Parties is a novel by cyberpunk writer, William Gibson. It is one of his best. It is also one of the most haunting songs ever recorded by Nico and the Velvet Underground, back in the day. And All Tomorrow’s Parties is finally a remarkable noise and fringe rock music festival that is held twice a year—one in England and one in southern California. The festival in England is held at… |
|
Zoran Erić
|
01.02.2004
|
|
CAPTURING PERSONAL IDENTITY ON MIODRAG KRKOBABIĆ’S (FAKE) IDENTITIES
|
| Skyscraper storyIn his first video, 6=36, Miodrag Krkobabić employed a narrative mode and documentary approach to tell the story about the relationships of his friends from childhood to each other and to himself. Born in the same building and nearly the same age, they all meet again after a long time to tell each about each other’s personality.After years growing up with each other, Krkobabić… |
|
01.02.2004
|
|
I WILL KILL YOU
|
| Notes from the Undeadthe world is the decay of the worldbut what now what will the consequences be(Tomaz Salamun)CRACKING THE CODE: “THINGDOM OF GORY” (J. Joyce)“Horror” speaks its own language, but what exactly does it say? First off, a horror film must in some obvious way announce itself as such. Next, it must scare us into believing that the fantastical scenario it presents is in fact real, or… |
|
Jiří Ptáček o Janu Nálevkovi
|
01.02.2004
|
|
SHOPPING PUNK
|
| “As an artist employed to sit in front of an advertisement agency TV monitor, he created a sentimental feeling towards an interface similar the way I felt about my father’s workshop. All he called laziness reached a peak if I were to leave the tools to work by themselves.”(Jana Kalinová)If I had to select the most suitable description of Jan Nálevka’s artistic approach, one that would surely end… |
|
Danica Minićová
|
01.02.2004
|
|
GENDER RELATED ART FROM SERBIA
|
| There is a certain ambivalence inscribed within the term, gender related art, as I use it here to refer to art practices within the Serbian art scene that critically deals with issues of the social and political origin of gender identities and relations, but could not be called feminist. Gender related artworks from Serbia could be related to one of the most important segments of feminist art… |
|
Sezgin Boynik
|
01.02.2004
|
|
ANRI SALA AND THE ISSUE OF IDENTITY IN SITUATIONS OF COLLECTIVE AMNESIA
|
| Anri Sala is probably the most reflexive of young Albanian artists. Full of irony, his works provoke a multiplicity of ideological or political debates – a process dating to one of his first videos, produced in 1997 when Sala was 23 years old, entitled “Intervista.” That video represents an evolving dialogue between the artist and his mother. By chance he’d stumbled on a video tape of an… |
|
Daniel Grúň
|
01.02.2004
|
|
WHAT IT MEANS TO TRAVEL BY METRO IN BRATISLAVA
|
| Metro, Gallery Priestor for Contemporary Arts, Bratislava, June 25 – August 1, 2004Finally, in Bratislava, one can descend into the metro! Don’t be intimidated, we will travel using the virtual space of contemporary art. The newest project entitled Metro by the curator Juraj Čarný for the Priestor Gallery in Bratislava is literally program-tailored for the genius loci of this place. We enter the… |
|
Potsdamer Str. 161 | Neu Divus in Zwitschermaschine, galerie und buchhandlug in Berlin! | Mit U2 nach Bülowstraße