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Vladan Šír | media | 01.01.2000
SFMOMA WEBBY PRIZE
Vladan Šír | media | 01.01.2000
VIRTUAL DETONATOR
Karel Císař | media | 01.07.1999
PARTISANS FROM MTV (KATARZYNA KOZYRA VS. FAT BOY SLIM)
Esthetics of Interference: From Anthropocentrism to Polycentrism (Reflection of Digital Media) Tomáš Lahoda | media | 01.02.1999
ESTHETICS OF INTERFERENCE: FROM ANTHROPOCENTRISM TO POLYCENTRISM (REFLECTION OF DIGITAL MEDIA)
"At the end of last year’s November, the Norwegian city of Bergen witnessed an international conference on digital art and culture. This article will focus in two parts on aspects of digital art, transition from anthropocentrism to polycentrism and esthetics of interference as described by Lars Qvortrup, intermedia professor at the Aalborg University, and reflected by experimental Danish…
Four Are More Than One Karel Císař | media | 01.01.1999
FOUR ARE MORE THAN ONE
"Although it may be hard for some to cope with it, the fact is that even in arts it becomes true that more is more. Take photography for example, henceforward one is no longer more than four. What before could be easily managed by one hand, will now require four. A unique creator is replaced with collective authorship of creative couples, a fact which seems to be more fitting for the photography…
Mongrelian Culture and Cultural Prestige or Ignorance and Filth in Digital Paradise Miloš Vojtěchovský | media | 01.06.1998
MONGRELIAN CULTURE AND CULTURAL PRESTIGE OR IGNORANCE AND FILTH IN DIGITAL PARADISE
At the recent Ars Electronica festival, the topic talked about, written about and discussed was information war flooding mass and other media. It was considered a metaphor for communication and existential way of mankind at the end of the 20th Century. From the view, technology, embodied by the holy trinity of electronics, telecommunication and computers, is living on mainly research and logic of…
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Letošní 50. ročník Art Basel přilákal celkem 93 000 návštěvníků a sběratelů z 80 zemí světa. 290 prémiových galerií představilo umělecká díla od počátku 20. století až po současnost. Hlavní sektor přehlídky, tradičně v prvním patře výstavního prostoru, představil 232 předních galerií z celého světa nabízející umění nejvyšší kvality. Veletrh ukázal vzestupný trend prodeje prostřednictvím galerií jak soukromým sbírkám, tak i institucím. Kromě hlavního veletrhu stály za návštěvu i ty přidružené: Volta, Liste a Photo Basel, k tomu doprovodné programy a výstavy v místních institucích, které kvalitou daleko přesahují hranice města tj. Kunsthalle Basel, Kunstmuseum, Tinguely muzeum nebo Fondation Beyeler.
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