Revista Umělec 2000/1 >> Why do so many frightening things go through such a boom? Lista de todas las ediciones
Why do so many frightening things go through such a boom?
Revista Umělec
Año 2000, 1
30 EUR
32 USD
Enviar la edición impresa:
Suscripción de orden

Why do so many frightening things go through such a boom?

Revista Umělec 2000/1

01.01.2000

Tomodachi no Uranchan (Přátelé Uranové dívky) | japan | en cs

"Super Idols

Gentaro Araki considers himself a false alchemist rather than a figurative sculptor. His company produces incredible characters—figures whose appearance and themes are far from ordinary commercial toys. Araki’s play with gender ambiguity, which is so typical for contemporary Japan, attracts attention on the one hand and is fiercely criticized on the other. This may be the reason why otaku (an indulgence in or mania for making small hyper-realistic figures) is disgusting for some. In any case, his work very quickly became famous. Gendaro is currently working on a 3D picture book.

Hinano Yoshikawa
This doll was created simultaneously with photographic books with the aim to create the symbol of a young, living actress in 2D and 3D. Concurrently, he decided to realize two further forms: Hinano Yoshika-wa—“Natural” and “Illusive” in which the actress was photographed outside with her face naked, while the other was a virtual Hinano of the hallucinatory world.
The dolls Gentaro created—“Black Made”—are models that are intended to resemble the atmosphere of selected fantasy. Gentaro’s limited 500 pieces are all hand-made. When interviewed, he spoke of how difficult it was to make a doll’s face so that it resembled Hinano as much as possible. For this project, he created approximately twenty prototypes. Completing them took two months, half of which was reserved for making Hinano’s face. Models usually take two or three weeks to make.
Before the project began, Japanese TV had been showing the film Illusive Midnight in which Hinano Yoshikawa played the main double-role, a real girl and her identical robotic copy. In one of the scenes, Hinano Yoshikawa asked her boyfriend which of the two he liked more, which of them was more attractive and magnetic.

The Power of Number Eight
(a review in the confessional style by an anonymous author)
“Yeah, it ain’t easy. He’s a robotic boy, which is obvious from the slightly open square on his little chest. I’ve never experienced such excitement!
This doll is a boy—a robot that boasted seven powerful abilities, and he has just discovered the eighth. Perhaps this is what is so attractive about this doll. Perhaps there is a little bit of calculation. Otherwise, I don’t understand how an adult person could be so strongly attracted to dolls. It’s not just a hobby, and it’s not about innocence at all. Despite millions of various forgivenesses, this type of hobby is obscene.
But it’s my problem, don’t you think?
Remember. Go back to when you looked at the doll for the first time; you must have felt that there was something really weird and dangerous about it. Look, the reason why a beautiful girl attracts modern guys could be because their manhood and self-indulgence is mirrored in this principle.
A really complicated idea on how to define love in its virtual form.
Suppressing fear of personal and social destruction in the moment of your confession. In the near future, Japan will definitely be inhabited by a majority of Androids. Now that human figures are embodied in virtual toys that are becoming more and more popular, it is rather alarming.
Do you want to live through that?”

Robin Kun—his charm is in his hermetically tight leather suit. Any character who was to be his partner would have real problems with him.

Win–09—his first name is “Wiener Kun.” He really gets you if you turn one of the parts into a different mode. He comes with three extra parts, including a hard-on that could also be used as a stand for rings. Great present for girlfriends.

The Cute Boy Figures of Gentaro Araki
These dolls are not only made for girl-fans. Even though they appear at first sight as if they were made from the female perspective, they represent a very male view of cute boys. There is just something about them, and that is why I don’t want to make female figures. Also, all female or girl dolls that are made by men seem to lack anything female about them. That’s why. It is a materialization of personal obsession and satisfaction. There’s no room at all for the reflection of a woman. It’s a totally personal work, and anything else becomes an obstacle. Do you think this obsession of dealing with so many things is wacky? Spoiled childhood? Why do so many frightening things go through such a boom?
The answer is clear. Everybody is innocent, selfish and spoiled just like kids. Most people think that everything around is obstacles, even themselves. So is this all right? My anxiety and desire are burning every day.
"




Comentarios

Actualmente no hay comentarios

Agregar nuevo comentario

Artículos recomendados

My Career in Poetry or: How I Learned to Stop Worrying and Love the Institution My Career in Poetry or: How I Learned to Stop Worrying and Love the Institution
An American poet was invited to the White House in order to read his controversial plagiarized poetry. All tricked out and ready to do it his way, he comes to the “scandalous” realization that nothing bothers anyone anymore, and instead of banging your head against the wall it is better to build you own walls or at least little fences.
Intoxicated by Media Déjà-vu / Notes on Oliver Pietsche"s Image Strategy Intoxicated by Media Déjà-vu / Notes on Oliver Pietsche"s Image Strategy
Goff & Rosenthal gallery, Berlin, November 18 - December 30, 2006 Society permanently renegotiates the definition of drugs and our relationship towards them. In his forty-five minute found-footage film The Conquest of Happiness, produced in 2005, Oliver Pietsch, a Berlin-based video artist, demonstrates which drugs society can accommodate, which it cannot, and how the story of the drugs can be…
Le Dernier Cri and the black penis of Marseille Le Dernier Cri and the black penis of Marseille
We’re constantly hearing that someone would like to do some joint project, organize something together, some event, but… damn, how to put it... we really like what you’re doing but it might piss someone off back home. Sure, it’s true that every now and then someone gets kicked out of this institution or that institute for organizing something with Divus, but weren’t they actually terribly self…
Nick Land – An Experiment in Inhumanism Nick Land – An Experiment in Inhumanism
Nick Land was a British philosopher but is no longer, though he is not dead. The almost neurotic fervor with which he scratched at the scars of reality has seduced more than a few promising academics onto the path of art that offends in its originality. The texts that he has left behind are reliably revolting and boring, and impel us to castrate their categorization as “mere” literature.
04.02.2020 10:17
¿A dónde ir ahora?
fuera
S.d.Ch, Solitarios y Cultura Periférica   (una generación nacida alrededor de 1970)
S.d.Ch, Solitarios y Cultura Periférica (una generación nacida alrededor de 1970)
Josef Jindrák
¿Quién es S.d.Ch? Una persona de muchos intereses –activa en varios campos- la literatura, el teatro, conocida por sus cómics y sus collages en los campos del arte. Un poeta y dramaturgo principalmente. Un solitario por naturaleza y determinación, su trabajo no se encajona en las corrientes actuales. Siempre antepone la enunciación personal, incluso cuando su estructura interna puede volverse…
Leer más...
fuera
Revista THC: Revisitando el Condenado Pasado
Revista THC: Revisitando el Condenado Pasado
Ivan Mečl
¡Somos el quinto partido político global! Pítr Dragota ys Viki Shock, Fragmenty geniality / Fragmentos de carisma, mayo y junio de 1997. Cuando Viki llegó de visita, fue solamente para mostrarme algunos dibujos y collages. Sólo como un pensamiento tardío me mostró la publicación checa de finales de los noventa, THC Review. Cuando vio cuánto me fascinaba, le entró el pánico e insistió que…
Leer más...
prize
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
To hen kai pán (Jindřich Chalupecký Prize Laureate 1998 Jiří Černický)
Leer más...
Dolores de parto
¿A quién le asusta la maternidad?
¿A quién le asusta la maternidad?
Zuzana Štefková
La pluralización de las definiciones de “madre“ es, a un tiempo, un lugar de represión recrudecida y de liberación potencial. (1) Carol Stabile Corría el año 2003 y una mujer en avanzado estado de embarazo estaba de pie al borde del camino en el matorral del bosque Lapák de Kladno. En el marco de la exposición Artistas en el bosque, los transeúntes podían vislumbrar el destello de su vientre…
Leer más...
Libros, video, ediciones y obras de arte que podrían interesarle Ir a la tienda virtual
"Slavíček vánoční (Little Chrismas Nightingale) is a part of the Bridel Creche....he picked out a medieval composition called...
Más información...
7,85 EUR
8 USD
35.5 x 33.5 cm, Pen & Ink Drawing
Más información...
669,60 EUR
721 USD
Radio Cake, 2014, acrylic painting on paper, 38 x 28, framed
Más información...
550 EUR
592 USD
Po anglickém knižním a japonském internetovém vydání se nabízí i českým čtenářům tato kniha krátkých empatických bolavých textů...
Más información...
7 EUR
8 USD

Studio

Divus and its services

Studio Divus designs and develops your ideas for projects, presentations or entire PR packages using all sorts of visual means and media. We offer our clients complete solutions as well as all the individual steps along the way. In our work we bring together the most up-to-date and classic technologies, enabling us to produce a wide range of products. But we do more than just prints and digital projects, ad materials, posters, catalogues, books, the production of screen and space presentations in interiors or exteriors, digital work and image publication on the internet; we also produce digital films—including the editing, sound and 3-D effects—and we use this technology for web pages and for company presentations. We specialize in ...
 

Cita del día El editor no se responsabiliza por los estados físicos o mentales que puedan generarse después de leer la cita

Enlightenment is always late.
Contacto e información del visitante Contactos de la redacción

DIVUS LONDON

 

STORE
Arch 8, Resolution Way, Deptford

London SE8 4NT, United Kingdom
Open on appointment

 

OFFICE
7 West Street, Hastings
East Sussex, TN34 3AN
, United Kingdom
Open on appointment
 

Ivan Mečl
ivan@divus.org.uk, +44 (0) 7526 902 082

DIVUS
NOVA PERLA
Kyjov 37, 407 47 Krásná Lípa
Czech Republic
divus@divus.cz
+420 222 264 830, +420 602 269 888

Open daily 10am to 6pm
and on appointment.

 

DIVUS BERLIN
Potsdamer Str. 161, 10783 Berlin
Germany

berlin@divus.cz, +49 (0) 1512 9088 150
Open on appointment.

 

DIVUS WIEN
wien@divus.cz
DIVUS MEXICO CITY
mexico@divus.cz
DIVUS BARCELONA
barcelona@divus.cz
DIVUS MOSCOW & MINSK

alena@divus.cz

SUSCRIPCIÓN AL NEWSLETTER DE DIVUS
Divus New book by I.M.Jirous in English at our online bookshop.