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T. D.  (the Monogramist’s Monograph) Jan Wollner | critique | 22.10.2013 18:21
T. D.  (THE MONOGRAMIST’S MONOGRAPH)
When an artistic monograph is published, most of the time the outcome is pretty bad — cliché bordering on kitsch, and no courage to try something different. But a monograph on an artist of Slovakia’s middle generation shows that a healthy dose of confidence can result in a beautiful book whose faith in form remains in step with the artist’s respected work.
Eine Welt der überflüssigen Kultur Palo Fabuš | critique | 18.02.2013 13:51
EINE WELT DER ÜBERFLÜSSIGEN KULTUR
Die Kultur muss ihre Verteidigung nicht mehr entlang der Leitlinien politischer und staatlicher Ideologie und Maßgaben formulieren, sondern zu ihren eigenen Bedingungen, die dem Staat fremd sind.
Artists in Line for Collective Security Palo Fabuš | critique | 14.11.2012 17:10
ARTISTS IN LINE FOR COLLECTIVE SECURITY
At a time when one of the extremely few identifiable and yet unintegratable positions is held by those who “refuse to conform,” artists want to conform. Instead of further exposing the open wound of reality and pulling the mesh of the matrix towards the Other, they have chosen the opposite course; having filled in their application for (and endorsement of) social obligations, they stand in line for a collective security provided by enlightened managers and sociologists.

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04.02.2020 10:17
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