Umělec 1/2001 Übersicht aller Ausgaben
"Václav Stratil, Drawings 1955-2000, Museum umění Olomouc, 30 November 2000 – 11 February 2001. Large “Black” Drawings, Gallery of Fine Arts, Dům Umění–Ostrava, 28 November 2000 – 27 January 2001Once again Prague has been deemed too small for important exhibitions of Czech art and one has to set off to the regions to see them. But a little trip never hurt anyone, and this is especially true of a…

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"The American novelist Walter Abish has described the work of the younger writer Jürg Laederach (who wrote the novel Wie Deutsch Ist Das on the German psyche) as capturing “the spirit of the new Europe”: “A Europe to come, when borders dissolve [...] Characters vanish, reappear. The short segments are sharply defined. There is something relentless about the build up... Everything is transitory.…

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"Most Czechs are familiar with the ironic drawings that depict on the cover of Respekt the less-than-encouraging phenomena of our post-totalitarian society. This political and cultural weekly was originally the samizdat publication Informační Servis whose contributors included the current politician and Senator Jiří Ruml. Pavel Reisenauer, an artist of brilliant style, is the man behind the tens…

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Zeitschrift Umělec
Jahrgang 2001, 1
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"“...and there was this toy, this snowstorm ball ... It was like a little glass bubble of somewhere else.”I’m in the basement of a friend’s house, we’re watching a movie. High school era: I’m fifteen and everything that goes along with it. And one of his older brother’s friends comes down, stands on the steps, watches the movie for a bit.It’s about a world where animated characters are real, and…

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"Out of the jumble of recent theme exhibitions, it’s the shows curated by those lacking an established art historical background that have stood out. To make their exposition menus more varied and lively, institutions have invited artists, and sometimes writers, philosophers and representatives of other professions, to offer a new look, consciously liberated from traditional forms of presentation…

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